Saturday, July 8, 2017

The start of the tour-from Kurbinovo to Vodocha

         This morning we started the tour through Macedonia, Greece and Albania in a try to fulfill the plan that Ryo had already sent us before. The churches of St. George in Kurbinovo, St. Nicholas in Manastir-Mariovo, The Holy Virgin in Drenovo, the monasteries in Vodocha and Velyusa as well as the remains of The Holy 15 Martyrs of Tiberyopolis in Strumica were on his list for Macedonia (Nerezi and Matka were gratis from us, and the lunch at Sime’s in Vrutok was gratis from Ryo for our gratis).
Our first goal today is the church of St. George in the village of Kurbinovo in Prespa. It was built in 1191, as seen from the inscription above the altar, during the reign of Isaac II Angelos. In the 17th century it was abandoned, and during the 19th century it was restored.
This small and externally unobtrusive, one-aisled building with a semicircular apse, which is at the same time the largest one-aisled church in Macedonia, hides in its interior one of the most valuable murals in the eastern Christian art. The frescoes are one of the most beautiful, the most original and the best preserved frescoes of that period that reach us.The creation of the unknown masters in Kurbinovo is a continuation of the work of the Nerezi masters, although it’s greatly notable the great originality in the style and expression.
I do not know what and how much Ryo could see, and still less to photograph from all this, because the whole church, both from inside and outside is " banded" with scaffolding of wooden beams and planks (otherwise, the biggest punishment for a Japanese is not to let him shoots, because they see the world through the lens of the camera).
And while Rio climbed and descended the scaffolding, circled around the church, photographed and chased his work, the conservation team working on the protection of the frescoes arrived. It seems to me somewhat illogical to preserve the frescoes of the church when it literally breaks apart, the static of the church and the artificial terrace on which it is built is extremely disturbed, almost all gypsum seals for monitoring the movement in statics are broken, but they know their job I guess, they are grown up enough!
We continued to Mariovo, to see the church of St. Nicholas in the village of Manastir. The air conditioning in the vehicle works with full power and it’s very pleasant inside, but the thermometer shows that outside the temperature is incredible 54 degrees Celsius!!!
The monastery church is a three-nave basilica, dedicated to three saints: the central nave is dedicated to the Mother of God, the northern one to Archangel Michael, and the southern to St. Nicholas. According to the architectural type of the church, two construction phases can be noticed of which the first one from 1095, and its present form was obtained after the second phase in 1266, when it has been restored by the abbot Acacius. The fresco painting was carried out five years later, in 1271. The stylistic analysis of the wall painting in the church shows that several painters have worked, among which is the painter-refendary John, who is considered to be the same John, the creator of the icon of St. George from the homonymous church in Struga, dating from 1266/67.
There are also ongoing works in this church, the floor is completely excavated, some researches and investigations are carried out for its reconstruction, tells us the Archimandrite Nikola, with whom, after we finished our job, we had a pleasant conversation with a glass of cold water and after saying “goodbye” we continued our trip. We got out of the Mariovo hell when we got back on the road leading to Pletvar, but neither here it is much fresher.
We had heard from before about the so called "Marble lake" near the village of Belovodica, which is located right after the Pletvar passage, and in those moments of hellfire, that looked as the best option for refreshment. We broke off the road and we embarked on an adventure.
A bit of asphalt, more macadam, and most of some kind of road from embanked marble gravel, as well as large stones, worthy of Camel trophy contest, but with strong torments, and even a stronger determination, we got somehow to the targeted goal, and there-paradise beauty and silence.
After the nice refreshment in the clear water, that who knows from where it has come and filled this pretty big pit, left after the exploitation of marble blocks, we brotherly divided a whole can of beer and continued our journey.
Our next target is the village of Drenovo near Kavadarci and the church of The Holy Virgin, which was probably built in the first half of the 14th century, at the time of the reign of Tsar Dushan, and painted by the painter Dimitri in 1356. On the way through the dusty paths, besides the fields and vineyards, we somehow reached Drenovo and the church.
After a short retention in order to shoot some pictures and make some notes on the church, we left for Strumica, in order to finish the planned visits to The Holy Virgin Eleousa in Velyusa and St. Leontius in Vodocha as soon as possible, because our intestines were louder and louder, because we did not eat anything except the “burek” (cheese or meat pie) with yogurt in the morning in Resen, and the little frog in the stomach was croaking for cold beer.
At first we went to the first one because it was a little farther from Strumica than Vodocha. Church of The Holy Virgin in Velyusa was built in 1080 by the monk Manuel, who later became the bishop of Strumica. The church has preserved its original architecture and is the only such object from the 11th century in Macedonia. It has a trefoil form with an eight-sided dome and a domed quadrifoil chapel on the southern side. Inside the church, in addition to the authentic marble altar screen and floor mosaic, only a small part of the famous wall paintings carried out between 1085 and 1093.
From Velyusa, we headed towards Vodocha, getting closer to Strumica, barely waiting to finally finish the day with plenty of food and a lot of cold beer before we went to a deserved rest in the comfort of the Hotel Sirius, and the day was really very long and hard .
The complex of the Vodocha sanctuary, composed of three churches, is located about four kilometers west of Strumica, in the village of Vodocha. The oldest of them is the eastern three-nave domed church that was smashed after the collapse of Samuel's state in 1018, and the oldest fresco here is the presentation of an unidentified saint from the late X century.
The second part of the complex is made up of the Western Small cross-shaped church with a dome, built in the period 1018-1037.
The middle domed church is the largest one and represents the episcopal church, which is concluded according to the synthronon in the altar apse. It has been erected at the end of the 11th and the beginning of the 12th century and is dedicated to St. Leontius, one of forty martyrs of Sebaste. Only some frescoes with representations of six Bishops and the fresco of the Forty Martyrs of Sebaste are preserved from the fresco painting of this church. In the complex itself, two monastery baths, a lodge with commercial accessories and a rich medieval necropolis with over 1000 graves from 13th until the 20th century have been researched. The church was ruined in the 13th century, after which it was abandoned and a prominent medieval necropolis arose then in its vicinity.
On the remains of the foundations of the former churches, the restoration was completed in 1979 and today it is clearly visible, according to the lead band to where the remains were.
And while Ryo was “chasing” his work, shooting, grabbing notes and sketches (and I made a bit of photos from both churches), the evening slowly descended, and we managed to fool the hunger a bit with the sweets offered by the nuns in the two monasteries.
Finally, the end of the working part for today, the night already descended when we headed towards the Hotel Sirius. After registering and short staying here, we went to meet my friend and former (and also now a temporary) neighbor Iko, a native of Strumica, and a naturalized Ohrid citizen, whom I called from Vodocha to take us to some good restaurant for the needfully necessary dinner and beer refreshment in the hot Strumica night. The place was in the City Park, the dinner was rich, varied, phenomenal (or at least it seemed to us because of the big starvation), were didn’t even try to count the big glasses of cool beer, and the beautiful live music only increased our experience.
We have already deeply stepped into the night, and in the morning we have to get up early, we have another task in Strumica and then the direction-Greece. So we got back to the hotel and, as long as my head was on my way to the pillow, I fall asleep ...
The church St. George in Kurbinovo in Prespa, built in 1191
The Kurbinovo church "banded" with scaffolding of wooden beams and planks both from the outside and inside
In Mariovo's hell of over 40 degrees Celsius
The church of St. Nicholas in the Mariovo village of Manastir
The interior was excavated for research and reconstruction, as the archimandrite Nikola informed us
For me, the most beautiful Archangel Michael in our medieval fresco painting
"Marble lake" near the village of Belovodica in which we found salvation from the hellfire
The church of the Holy Virgin in the village of Drenovo, Kavadarci, from the first half of the 14th century
The church of the Holy Virgin in the village of Velyusa near Strumica, built in 1080
The church of St. Leontius in the village of Vodocha, erected at the end of the 11th and the beginning of the 12th century
The marble altar screen of the church of St. Leontius in Vodocha